{"id":640,"date":"2026-04-27T12:23:07","date_gmt":"2026-04-27T10:23:07","guid":{"rendered":"https:\/\/www.sinomondi.org\/?p=640"},"modified":"2026-06-08T12:52:57","modified_gmt":"2026-06-08T10:52:57","slug":"articolo-guzheng","status":"publish","type":"post","link":"https:\/\/www.sinomondi.org\/?p=640","title":{"rendered":"Il\u00a0guzheng: una voce antica tra memoria e trasformazione\u00a0"},"content":{"rendered":"\n<div class=\"wp-block-group\" style=\"min-height:0px\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\" style=\"padding-top:0;padding-bottom:0\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id640_524a90-6a{margin-bottom:var(--global-kb-spacing-xxs, 0.5rem);}.kb-row-layout-id640_524a90-6a > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id640_524a90-6a > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id640_524a90-6a > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-sm, 1rem);max-width:1155px;margin-left:auto;margin-right:auto;padding-top:0px;padding-right:0px;padding-bottom:2px;padding-left:0px;grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id640_524a90-6a > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id640_524a90-6a > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id640_524a90-6a > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id640_524a90-6a alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column640_f5bb34-40 > .kt-inside-inner-col,.kadence-column640_f5bb34-40 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_f5bb34-40 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_f5bb34-40 > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_f5bb34-40 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_f5bb34-40 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_f5bb34-40{position:relative;}@media all and (max-width: 1024px){.kadence-column640_f5bb34-40 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_f5bb34-40 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_f5bb34-40\"><div class=\"kt-inside-inner-col\"><style>.kb-image640_0da5d2-a6 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image640_0da5d2-a6 size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-src=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-1-Ilenia--1024x683.png\" alt=\"\" class=\"kb-img wp-image-642 lazyload\" data-srcset=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-1-Ilenia--1024x683.png 1024w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-1-Ilenia--300x200.png 300w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-1-Ilenia--768x512.png 768w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-1-Ilenia-.png 1536w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/683;\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0\">Ilenia Fu<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column640_633c2b-16 > .kt-inside-inner-col,.kadence-column640_633c2b-16 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_633c2b-16 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_633c2b-16 > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_633c2b-16 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_633c2b-16 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_633c2b-16{position:relative;}@media all and (max-width: 1024px){.kadence-column640_633c2b-16 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_633c2b-16 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_633c2b-16\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">Con l\u2019intervista alla musicista Ilenia Fu,&nbsp;pubblicata&nbsp;sul nostro profilo Instagram,&nbsp;inauguriamo una nuova rubrica dedicata agli strumenti della tradizione musicale cinese.&nbsp;Ogni strumento racconta una storia che attraversa secoli, dinastie e trasformazioni culturali. Il primo protagonista di questo viaggio non pu\u00f2 che essere il&nbsp;<strong>guzheng&nbsp;\u53e4\u7b5d<\/strong>, uno degli strumenti pi\u00f9 iconici e rappresentativi della musica cinese.&nbsp;<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Appartenente alla famiglia delle cetre a tavola, il&nbsp;guzheng&nbsp;si inserisce in una pi\u00f9 ampia tradizione di strumenti a corde pizzicate che comprende anche il&nbsp;qin&nbsp;\u7434, o&nbsp;guqin&nbsp;\u53e4\u7434, a sette corde, tradizionalmente associato al raffinato mondo dell\u2019aristocrazia imperiale e alla formazione dei letterati di corte. In questo panorama musicale, il&nbsp;guzheng&nbsp;ha sviluppato una propria identit\u00e0, distinguendosi per versatilit\u00e0 espressiva e ampia diffusione, attraversando nei secoli contesti popolari e colti fino alla scena contemporanea.<br>Elegante, evocativo, profondamente legato all\u2019immaginario culturale della Cina, il&nbsp;guzheng&nbsp;\u00e8 oggi anche uno strumento sorprendentemente attuale, capace di dialogare con sonorit\u00e0 globali.&nbsp;<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Un\u2019origine tra storia e immaginazione<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il\u00a0guzheng\u00a0\u00e8 uno degli strumenti pi\u00f9 antichi della tradizione cinese. Le testimonianze archeologiche e le fonti storiche permettono di collocarne le origini almeno tra il Periodo delle Primavere e Autunni e quello degli Stati Combattenti\u00a0(770 al 221\u00a0a.C),\u00a0quindi oltre\u00a0duemilacinquecento\u00a0anni fa.\u00a0Il suo nome richiama questa lunga storia:\u00a0<em>zheng<\/em>\u00a0\u7b5d designa una famiglia di cetre diffuse nell\u2019antica Cina, mentre il prefisso\u00a0<em>gu<\/em>\u00a0\u53e4, \u201cantico\u201d, serve a distinguere la forma tradizionale dalle versioni pi\u00f9 recenti. Nella sua configurazione attuale, il\u00a0guzheng\u00a0rappresenta l\u2019esito di un\u2019evoluzione secolare, sviluppatasi a partire da strumenti affini come il\u00a0<em>se\u00a0<\/em>\u745f\u00a0<em>\u00a0,<\/em>\u00a0da cui ha progressivamente acquisito una fisionomia autonoma.\u00a0<\/p>\n<\/div><\/div>\n\n\n<style>.kb-row-layout-id640_b87dd6-45 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id640_b87dd6-45 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id640_b87dd6-45 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-lg, 4rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-xs, 1rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id640_b87dd6-45 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id640_b87dd6-45 > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id640_b87dd6-45 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id640_b87dd6-45 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column640_6efaa0-e7 > .kt-inside-inner-col,.kadence-column640_6efaa0-e7 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_6efaa0-e7 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_6efaa0-e7 > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_6efaa0-e7 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_6efaa0-e7 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_6efaa0-e7{position:relative;}@media all and (max-width: 1024px){.kadence-column640_6efaa0-e7 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_6efaa0-e7 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_6efaa0-e7\"><div class=\"kt-inside-inner-col\"><style>.kb-image640_e59ae3-dd .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image640_e59ae3-dd size-full\"><img decoding=\"async\" width=\"500\" height=\"277\" data-src=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-2-Music-in-the-age-of-Confucio-1.webp\" alt=\"\" class=\"kb-img wp-image-646 lazyload\" data-srcset=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-2-Music-in-the-age-of-Confucio-1.webp 500w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-2-Music-in-the-age-of-Confucio-1-300x166.webp 300w\" data-sizes=\"(max-width: 500px) 100vw, 500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 500px; --smush-placeholder-aspect-ratio: 500\/277;\" \/><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column640_c24b8d-aa > .kt-inside-inner-col{display:flex;}.kadence-column640_c24b8d-aa > .kt-inside-inner-col,.kadence-column640_c24b8d-aa > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_c24b8d-aa > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_c24b8d-aa > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:flex-start;}.kadence-column640_c24b8d-aa > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column640_c24b8d-aa > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column640_c24b8d-aa > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column640_c24b8d-aa{align-self:center;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_c24b8d-aa{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_c24b8d-aa > .kt-inside-inner-col{flex-direction:column;justify-content:center;}.kadence-column640_c24b8d-aa > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_c24b8d-aa{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column640_c24b8d-aa{align-self:center;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_c24b8d-aa{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_c24b8d-aa > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 1024px){.kadence-column640_c24b8d-aa > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:flex-start;}}@media all and (max-width: 767px){.kt-row-column-wrap > .kadence-column640_c24b8d-aa{align-self:center;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_c24b8d-aa{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_c24b8d-aa > .kt-inside-inner-col{flex-direction:column;justify-content:center;}.kadence-column640_c24b8d-aa > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_c24b8d-aa\"><div class=\"kt-inside-inner-col\">\n<p class=\"has-small-font-size wp-block-paragraph\">Disegno di musicisti all\u2019interno di un modello in bronzo di una casa proveniente dalla Tomba 306, Shaoxing, provincia dello Zhejiang.&nbsp;V&nbsp;secolo&nbsp;a.C.(da&nbsp;<a href=\"https:\/\/library.si.edu\/digital-library\/book\/musicinageofconf00soje\" target=\"_blank\" rel=\"noreferrer noopener\">Music in the Age of Confucius<\/a>)&nbsp;<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\" style=\"line-height:1.5\">Gi\u00e0 in questa fase lo strumento appare come una presenza significativa nelle pratiche musicali delle regioni settentrionali della Cina.&nbsp;In particolare, alcune fonti collocano lo sviluppo iniziale dello strumento nell\u2019area dell\u2019antico stato di Qin.&nbsp;<br>Questa dimensione quasi \u201coriginaria\u201d del suono trova un riflesso anche nelle esperienze individuali di chi si avvicina allo strumento. Come racconta Ilenia Fu, il suo primo incontro con il&nbsp;guzheng&nbsp;risale all\u2019infanzia, quando, appena sfiorate le corde, rimase immediatamente colpita dal suono dello strumento.&nbsp;&nbsp;<br>Accanto alla ricostruzione storica, sopravvive una dimensione narrativa fatta di leggende e racconti simbolici.&nbsp;Una tradizione attribuisce l\u2019invenzione dello&nbsp;zheng&nbsp;a Hou&nbsp;Kui, figura mitica incaricata di educare il popolo attraverso la musica. In questa prospettiva, lo strumento non nasce semplicemente come mezzo espressivo, ma come strumento capace di armonizzare la societ\u00e0, di creare ordine e di avvicinare gli esseri umani a una dimensione pi\u00f9 equilibrata.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"line-height:1.5\">Un\u2019altra storia, tra le pi\u00f9 note della cultura musicale cinese, \u00e8 quella dell\u2019amicizia tra&nbsp;Yu&nbsp;Boya, alto funzionario, e Zhong&nbsp;Ziqi, semplice taglialegna. Si racconta che&nbsp;Boya, musicista, suonasse&nbsp;la sua cetra&nbsp;a lungo senza essere compreso, fino a quando incontr\u00f2&nbsp;Ziqi, l\u2019unico capace di cogliere il senso profondo della sua musica e di descrivere con precisione le immagini&nbsp;di \u201calte montagne\u201d e \u201cacque correnti\u201d&nbsp;che essa evocava.&nbsp;Quando&nbsp;Ziqi&nbsp;mor\u00ec,&nbsp;Boya&nbsp;smise di suonare, convinto che nessun altro avrebbe potuto comprenderlo. Dopo un\u2019ultima esecuzione, comp\u00ec un gesto estremo, divenuto simbolo di devozione: distrusse il suo strumento&nbsp;tagliandone&nbsp;le corde, giurando di non suonare mai pi\u00f9. Senza il suo&nbsp;<em>zhiyin<\/em>&nbsp;\u77e5\u97f3\u2014 \u201ccolui che comprende il suono\u201d \u2014 non esisteva pi\u00f9 nessuno al mondo degno di ascoltare la sua musica.&nbsp;Il brano&nbsp;<em>Liu&nbsp;Shui<\/em>&nbsp;\u6d41\u6c34, \u201cAcque correnti\u201d, tradizionalmente associato a questa storia, \u00e8 considerato uno dei capolavori della musica cinese ed \u00e8 tuttora eseguito nei repertori contemporanei. Tra i pezzi pi\u00f9 celebri del repertorio per&nbsp;guqin, fu scelto anche dalla NASA nel 1972 per la sonda Voyager, come una delle registrazioni destinate a rappresentare i suoni della Terra. La sua prima&nbsp;tablatura&nbsp;compare nel 1425 all\u2019interno dello&nbsp;<em>Shenqi&nbsp;Mipu<\/em>&nbsp;\u795e\u5947\u79d8\u8c31&nbsp;(\u201cPartiture misteriose\u201d), attribuito allo studioso Zhu Quan.&nbsp;<\/p>\n\n\n<style>.kb-row-layout-id640_1379d9-01 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id640_1379d9-01 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id640_1379d9-01 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-lg, 4rem);row-gap:var(--global-kb-gap-sm, 1rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, calc(55% - ((var(--global-kb-gap-lg, 4rem) * 1 )\/2)))minmax(0, calc(45% - ((var(--global-kb-gap-lg, 4rem) * 1 )\/2)));}.kb-row-layout-id640_1379d9-01 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id640_1379d9-01 > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id640_1379d9-01 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id640_1379d9-01 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column640_6d3bb1-cb > .kt-inside-inner-col,.kadence-column640_6d3bb1-cb > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_6d3bb1-cb > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_6d3bb1-cb > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_6d3bb1-cb > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_6d3bb1-cb > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_6d3bb1-cb{position:relative;}@media all and (max-width: 1024px){.kadence-column640_6d3bb1-cb > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_6d3bb1-cb > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_6d3bb1-cb\"><div class=\"kt-inside-inner-col\"><style>.kb-image640_c3e21c-04.kb-image-is-ratio-size, .kb-image640_c3e21c-04 .kb-image-is-ratio-size{max-width:426px;width:100%;}.wp-block-kadence-column > .kt-inside-inner-col > .kb-image640_c3e21c-04.kb-image-is-ratio-size, .wp-block-kadence-column > .kt-inside-inner-col > .kb-image640_c3e21c-04 .kb-image-is-ratio-size{align-self:unset;}.kb-image640_c3e21c-04{max-width:426px;}.image-is-svg.kb-image640_c3e21c-04{-webkit-flex:0 1 100%;flex:0 1 100%;}.image-is-svg.kb-image640_c3e21c-04 img{width:100%;}.kb-image640_c3e21c-04 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image640_c3e21c-04 size-full kb-image-is-ratio-size\"><div class=\"kb-is-ratio-image kb-image-ratio-land43\"><img decoding=\"async\" width=\"474\" height=\"368\" data-src=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-3leggenda.webp\" alt=\"\" class=\"kb-img wp-image-647 lazyload\" data-srcset=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-3leggenda.webp 474w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-3leggenda-300x233.webp 300w\" data-sizes=\"(max-width: 474px) 100vw, 474px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 474px; --smush-placeholder-aspect-ratio: 474\/368;\" \/><\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">Statua di&nbsp;Yu&nbsp;Boya&nbsp;e Zhong&nbsp;Ziqi, area di&nbsp;Hanyang&nbsp;(Wuhan, provincia di Hubei).&nbsp;<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column640_70f0ef-14 > .kt-inside-inner-col,.kadence-column640_70f0ef-14 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_70f0ef-14 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_70f0ef-14 > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_70f0ef-14 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_70f0ef-14 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_70f0ef-14{position:relative;}@media all and (max-width: 1024px){.kadence-column640_70f0ef-14 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_70f0ef-14 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_70f0ef-14\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">La locuzione &#8220;alte montagne e acque correnti\u201d \u9ad8\u5c71\u6d41\u6c34 \u00e8 poi entrata nel linguaggio comune\u00a0come espressione idiomatica, simbolo di un\u2019intesa profonda e rara, cos\u00ec come il termine\u00a0<em>zhiyin<\/em>, nato da questa leggenda, indica, ancora oggi, chi \u00e8 capace di comprendere veramente l\u2019altro. Pur essendo legata\u00a0in particolare\u00a0al\u00a0guqin, questa storia riflette un\u2019idea condivisa da tutta la tradizione degli strumenti a corde pizzicate, tra cui il\u00a0guzheng: la musica esiste pienamente solo quando trova qualcuno in grado di ascoltarla davvero.<\/p>\n<\/div><\/div>\n\n<\/div><\/div><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dalle corti imperiali alla diffusione sociale<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nel corso delle dinastie Qin (221\u2013206 a.C.) e Han (206 a.C.\u2013220 d.C.), il\u00a0guzheng\u00a0conosce una fase significativa di sviluppo e diffusione. Le fonti indicano una presenza ampia sia nei contesti rituali sia negli ambienti di corte, dove la musica assumeva anche funzioni rappresentative e cerimoniali. Lo\u00a0strumento accompagnava momenti della vita sociale, come banchetti, festivit\u00e0 e rituali, ma era utilizzato anche in contesti pi\u00f9 informali, contribuendo a collegare dimensione ufficiale e pratica quotidiana.\u00a0\u00c8 proprio in questo periodo che il\u00a0guzheng\u00a0viene progressivamente associato a un ideale di raffinatezza ed espressivit\u00e0.\u00a0Alcuni autori arrivano a definirlo \u201cmaestro della musica\u201d, sottolineandone il ruolo centrale tra gli strumenti tradizionali e la sua capacit\u00e0 di unire raffinatezza tecnica ed espressivit\u00e0.\u00a0Con la dinastia Tang (618\u2013907 d.C.) si\u00a0entra\u00a0in una fase di straordinaria fioritura culturale. La musica diventa uno spazio di incontro tra tradizioni diverse, favorito dall\u2019intensificarsi degli scambi culturali. Il\u00a0guzheng\u00a0\u00e8 presente nelle istituzioni musicali di corte, celebrato nella poesia e coinvolto negli scambi con altri paesi dell\u2019Asia orientale. La sua influenza \u00e8 visibile nello sviluppo di strumenti affini come il <em>koto <\/em>giapponese e il\u00a0<em>gayageum\u00a0<\/em>coreano, segno di una circolazione musicale gi\u00e0 molto attiva.\u00a0Durante le dinastie Song (960\u20131279)\u00a0e\u00a0Yuan (1271\u20131368), la crescita urbana e lo sviluppo dell\u2019intrattenimento pubblico favoriscono una pi\u00f9 ampia diffusione della musica. Il\u00a0guzheng\u00a0si afferma come strumento capace di esprimere sensibilit\u00e0 individuali, accompagnando forme narrative, teatrali e musicali destinate a un pubblico sempre pi\u00f9 vasto, rafforzando la sua presenza nella vita sociale e culturale.\u00a0<\/p>\n\n\n<style>.kb-row-layout-id640_475a03-59 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id640_475a03-59 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id640_475a03-59 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-xs, 1rem);grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id640_475a03-59 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id640_475a03-59 > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id640_475a03-59 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id640_475a03-59 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column640_3b7a1e-66 > .kt-inside-inner-col,.kadence-column640_3b7a1e-66 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_3b7a1e-66 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_3b7a1e-66 > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_3b7a1e-66 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_3b7a1e-66 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_3b7a1e-66{position:relative;}@media all and (max-width: 1024px){.kadence-column640_3b7a1e-66 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_3b7a1e-66 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_3b7a1e-66\"><div class=\"kt-inside-inner-col\"><style>.kb-image640_b88067-50 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image640_b88067-50 size-full\"><img decoding=\"async\" width=\"584\" height=\"364\" data-src=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-4-Qing.jpg\" alt=\"\" class=\"kb-img wp-image-648 lazyload\" data-srcset=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-4-Qing.jpg 584w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-4-Qing-300x187.jpg 300w\" data-sizes=\"(max-width: 584px) 100vw, 584px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 584px; --smush-placeholder-aspect-ratio: 584\/364;\" \/><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column640_5bb509-5d > .kt-inside-inner-col,.kadence-column640_5bb509-5d > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_5bb509-5d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_5bb509-5d > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_5bb509-5d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_5bb509-5d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_5bb509-5d{position:relative;}@media all and (max-width: 1024px){.kadence-column640_5bb509-5d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_5bb509-5d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_5bb509-5d\"><div class=\"kt-inside-inner-col\">\n<p class=\"has-text-align-left has-small-font-size wp-block-paragraph\"><em>Four Accomplishments<\/em>&nbsp;(\u56db\u85dd\u5716), attribuito a Wang Ning (\u738b\u51dd), dinastia Qing (1644\u20131912), Art Institute of Chicago (1943.1157).&nbsp;Inchiostro e colore su seta.&nbsp;L\u2019opera riflette l\u2019importanza della musica nella cultura delle \u00e9lite e la diffusione di strumenti a corda pizzicata, antenati del guzheng, nei contesti aristocratici.&nbsp;(da&nbsp;Scroll Paintings \u2013 University of Chicago)<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Un linguaggio sonoro in continua evoluzione<\/strong>&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Nel corso dei secoli anche la struttura dello strumento si trasforma. Secondo alcune fonti, le prime forme di&nbsp;zheng&nbsp;erano costituite da cinque corde, in relazione alla scala pentatonica tradizionale; nel tempo si passa progressivamente a configurazioni pi\u00f9 complesse, fino alle ventuno corde che caratterizzano il&nbsp;guzheng&nbsp;contemporaneo&nbsp;tradizionale.&nbsp;&nbsp;La sua cassa armonica, tradizionalmente realizzata in legno di&nbsp;paulownia&nbsp;(<em>wutong<\/em>), e la presenza di ponticelli mobili per ciascuna corda che l\u2019esecutore pu\u00f2 regolare&nbsp;per&nbsp; modificare&nbsp;l\u2019intonazione, contribuiscono a definire un suono ricco e modulabile, caratteristico dello strumento. Nel corso del tempo, i materiali delle corde hanno subito trasformazioni significative: dalle corde in seta utilizzate in epoca antica si \u00e8 passati progressivamente a fili metallici e, in epoca contemporanea, a corde rivestite in nylon, pi\u00f9 resistenti e adatte a una maggiore proiezione sonora. Questo sviluppo non \u00e8 solo tecnico, ma riflette una crescente esigenza di estendere le possibilit\u00e0 espressive.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dal punto di vista musicale, il&nbsp;guzheng&nbsp;si basa tradizionalmente su una scala pentatonica, composta da cinque suoni fondamentali. Questa struttura, tipica della musica cinese, contribuisce a creare un senso di equilibrio e armonia ed \u00e8 alla base delle sonorit\u00e0 evocative dello strumento. Si suona orizzontalmente, utilizzando unghie&nbsp;artificiali&nbsp;(plettri). Nelle epoche antiche, la tecnica esecutiva prevedeva anche l\u2019uso di un bastoncino percuotente, che distingueva questo strumento da altre cetre. Mentre la mano destra pizzica le corde a destra dei&nbsp;ponticelli, la mano sinistra esercita pressione o&nbsp;vibrazione sulla sezione sinistra delle corde, introducendo sfumature&nbsp;microtonali&nbsp;e producendo&nbsp;glissandi, vibrati e alterazioni che arricchiscono ulteriormente il linguaggio musicale.&nbsp;&nbsp;<\/p>\n\n\n<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id640_bb226b-0d{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id640_bb226b-0d > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id640_bb226b-0d > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id640_bb226b-0d > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-sm, 1rem);max-width:var( --global-content-width, 1290px );padding-left:var(--global-content-edge-padding);padding-right:var(--global-content-edge-padding);padding-top:var(--global-kb-spacing-xxs, 0.5rem);padding-right:0px;padding-bottom:var(--global-kb-spacing-xs, 1rem);padding-left:0px;grid-template-columns:minmax(0, calc(60% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(40% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id640_bb226b-0d > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id640_bb226b-0d > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id640_bb226b-0d > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id640_bb226b-0d alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top kb-theme-content-width\">\n<style>.kadence-column640_fac624-ab > .kt-inside-inner-col{display:flex;}.kadence-column640_fac624-ab > .kt-inside-inner-col,.kadence-column640_fac624-ab > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_fac624-ab > .kt-inside-inner-col{row-gap:var(--global-kb-gap-sm, 1rem);column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_fac624-ab > .kt-inside-inner-col{flex-direction:row;flex-wrap:wrap;align-items:flex-start;justify-content:flex-start;}.kadence-column640_fac624-ab > .kt-inside-inner-col > *, .kadence-column640_fac624-ab > .kt-inside-inner-col > figure.wp-block-image, .kadence-column640_fac624-ab > .kt-inside-inner-col > figure.wp-block-kadence-image{margin-top:0px;margin-bottom:0px;}.kadence-column640_fac624-ab > .kt-inside-inner-col > .kb-image-is-ratio-size{flex-grow:1;}.kt-row-column-wrap > .kadence-column640_fac624-ab{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_fac624-ab{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_fac624-ab > .kt-inside-inner-col{align-items:flex-start;}.kadence-column640_fac624-ab > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_fac624-ab{text-align:left;}.kadence-column640_fac624-ab{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column640_fac624-ab{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_fac624-ab{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_fac624-ab > .kt-inside-inner-col{align-items:flex-start;}}@media all and (max-width: 1024px){.kadence-column640_fac624-ab > .kt-inside-inner-col{flex-direction:row;flex-wrap:wrap;align-items:flex-start;justify-content:flex-start;}}@media all and (min-width: 768px) and (max-width: 1024px){.kadence-column640_fac624-ab > .kt-inside-inner-col > *, .kadence-column640_fac624-ab > .kt-inside-inner-col > figure.wp-block-image, .kadence-column640_fac624-ab > .kt-inside-inner-col > figure.wp-block-kadence-image{margin-top:0px;margin-bottom:0px;}.kadence-column640_fac624-ab > .kt-inside-inner-col > .kb-image-is-ratio-size{flex-grow:1;}}@media all and (max-width: 767px){.kt-row-column-wrap > .kadence-column640_fac624-ab{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_fac624-ab{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_fac624-ab > .kt-inside-inner-col{align-items:flex-start;}.kadence-column640_fac624-ab > .kt-inside-inner-col{flex-direction:row;flex-wrap:wrap;justify-content:flex-start;justify-content:flex-start;}.kadence-column640_fac624-ab > .kt-inside-inner-col > *, .kadence-column640_fac624-ab > .kt-inside-inner-col > figure.wp-block-image, .kadence-column640_fac624-ab > .kt-inside-inner-col > figure.wp-block-kadence-image{margin-top:0px;margin-bottom:0px;}.kadence-column640_fac624-ab > .kt-inside-inner-col > .kb-image-is-ratio-size{flex-grow:1;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_fac624-ab kb-section-dir-horizontal\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">Questo aspetto permette di ottenere una gamma di sfumature estremamente ricca, capace di avvicinare il suono a una dimensione quasi vocale. Non si tratta solo di produrre note, ma di modellarle, trasformarle, farle vibrare nel tempo. Questa ricchezza espressiva richiede un lavoro costante e rigoroso. Come sottolinea Ilenia Fu, imparare a suonare il&nbsp;guzheng&nbsp;non \u00e8 particolarmente difficile all\u2019inizio, ma raggiungere una buona qualit\u00e0 esecutiva richiede tempo, esercizio quotidiano e un lungo processo di accumulo.<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column640_e0128a-d2 > .kt-inside-inner-col{display:flex;}.kadence-column640_e0128a-d2 > .kt-inside-inner-col,.kadence-column640_e0128a-d2 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_e0128a-d2 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_e0128a-d2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;align-items:flex-start;}.kadence-column640_e0128a-d2 > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column640_e0128a-d2 > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column640_e0128a-d2 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column640_e0128a-d2{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_e0128a-d2{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_e0128a-d2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column640_e0128a-d2 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_e0128a-d2{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column640_e0128a-d2{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_e0128a-d2{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_e0128a-d2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column640_e0128a-d2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;align-items:flex-start;}}@media all and (max-width: 767px){.kt-row-column-wrap > .kadence-column640_e0128a-d2{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_e0128a-d2{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column640_e0128a-d2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column640_e0128a-d2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;align-items:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_e0128a-d2 kb-section-dir-vertical\"><div class=\"kt-inside-inner-col\"><style>.kb-image640_2c665e-27.kb-image-is-ratio-size, .kb-image640_2c665e-27 .kb-image-is-ratio-size{max-width:794px;width:100%;}.wp-block-kadence-column > .kt-inside-inner-col > .kb-image640_2c665e-27.kb-image-is-ratio-size, .wp-block-kadence-column > .kt-inside-inner-col > .kb-image640_2c665e-27 .kb-image-is-ratio-size{align-self:unset;}.kb-image640_2c665e-27{max-width:794px;}.image-is-svg.kb-image640_2c665e-27{-webkit-flex:0 1 100%;flex:0 1 100%;}.image-is-svg.kb-image640_2c665e-27 img{width:100%;}.kb-image640_2c665e-27:not(.kb-image-is-ratio-size) .kb-img, .kb-image640_2c665e-27.kb-image-is-ratio-size{padding-right:0px;padding-bottom:0px;}.kb-image640_2c665e-27 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image640_2c665e-27 size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-src=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-5-dettaglio-mani-1024x683.png\" alt=\"\" class=\"kb-img wp-image-649 lazyload\" data-srcset=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-5-dettaglio-mani-1024x683.png 1024w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-5-dettaglio-mani-300x200.png 300w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-5-dettaglio-mani-768x512.png 768w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-5-dettaglio-mani.png 1536w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/683;\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">dettaglio mani<\/p>\n<\/div><\/div>\n\n<\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\"><strong>Il&nbsp;guzheng&nbsp;nella contemporaneit\u00e0: tra radici e apertura<\/strong>&nbsp;<\/p>\n\n\n<style>.kb-row-layout-id640_b9ba67-67 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id640_b9ba67-67 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id640_b9ba67-67 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id640_b9ba67-67 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id640_b9ba67-67 > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id640_b9ba67-67 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id640_b9ba67-67 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column640_1438a1-9e > .kt-inside-inner-col,.kadence-column640_1438a1-9e > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_1438a1-9e > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_1438a1-9e > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_1438a1-9e > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_1438a1-9e > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_1438a1-9e{position:relative;}@media all and (max-width: 1024px){.kadence-column640_1438a1-9e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_1438a1-9e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_1438a1-9e\"><div class=\"kt-inside-inner-col\"><style>.kb-image640_22a579-5d .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image640_22a579-5d size-large\"><img decoding=\"async\" width=\"768\" height=\"1024\" data-src=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-6-Ensemble-du-sud-768x1024.png\" alt=\"\" class=\"kb-img wp-image-650 lazyload\" data-srcset=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-6-Ensemble-du-sud-768x1024.png 768w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-6-Ensemble-du-sud-225x300.png 225w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-6-Ensemble-du-sud.png 1086w\" data-sizes=\"(max-width: 768px) 100vw, 768px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 768px; --smush-placeholder-aspect-ratio: 768\/1024;\" \/><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column640_e7760a-87 > .kt-inside-inner-col,.kadence-column640_e7760a-87 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column640_e7760a-87 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column640_e7760a-87 > .kt-inside-inner-col{flex-direction:column;}.kadence-column640_e7760a-87 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column640_e7760a-87 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column640_e7760a-87{position:relative;}@media all and (max-width: 1024px){.kadence-column640_e7760a-87 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column640_e7760a-87 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column640_e7760a-87\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">Se la lunga storia del&nbsp;guzheng&nbsp;potrebbe far pensare a uno strumento legato esclusivamente al passato, la realt\u00e0 contemporanea racconta qualcosa di diverso.&nbsp;A partire dalla seconda met\u00e0 del Novecento, e in modo ancora pi\u00f9 evidente dagli anni Novanta, il&nbsp;guzheng&nbsp;entra in una fase di intensa trasformazione. Nuovi repertori, nuove tecniche e nuove modalit\u00e0 di esecuzione ampliano il suo campo d\u2019azione.&nbsp;In questo periodo si definiscono anche le caratteristiche dello strumento moderno:&nbsp;come gi\u00e0 detto,&nbsp;la standardizzazione del modello a ventuno corde e l\u2019introduzione di nuovi materiali&nbsp;permettono al&nbsp;guzheng&nbsp;di eseguire scale e sonorit\u00e0 che in passato non erano possibili,&nbsp;rendendolo pi\u00f9 versatile e&nbsp;aprendo la strada al suo uso nei contesti musicali&nbsp;contemporanei.<\/p>\n<\/div><\/div>\n\n<\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">Con la\u00a0globalizzazione e\u00a0l\u2019intensificarsi degli scambi culturali, il\u00a0guzheng\u00a0diventa protagonista di esperienze di contaminazione musicale. Il dialogo con strumenti occidentali, cos\u00ec come l\u2019incontro con generi diversi \u2013 dal jazz al pop, fino alla musica elettronica \u2013 non rappresenta una rottura con la tradizione, ma\u00a0una sua evoluzione.\u00a0Questa apertura si riflette nelle pratiche musicali contemporanee.\u00a0Nei suoi concerti, Ilenia Fu alterna repertori diversi, che includono sia brani\u00a0tradizionaIi,\u00a0sia adattamenti di musica moderna\u00a0e\u00a0sudamericana,\u00a0spesso\u00a0realizzati insieme ad altri musicisti\u00a0(Ensemble\u00a0DongXun \u4e1c\u5de1\u00a0Passaggio ad Oriente,\u00a0Ensemble\u00a0du\u00a0Sud).\u00a0<\/p>\n\n\n<style>.kb-image640_9bcf06-53 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image640_9bcf06-53 size-large\"><img decoding=\"async\" width=\"1024\" height=\"563\" data-src=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-7-Ensemble-Dong-1024x563.jpg\" alt=\"\" class=\"kb-img wp-image-651 lazyload\" data-srcset=\"https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-7-Ensemble-Dong-1024x563.jpg 1024w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-7-Ensemble-Dong-300x165.jpg 300w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-7-Ensemble-Dong-768x422.jpg 768w, https:\/\/www.sinomondi.org\/wp-content\/uploads\/2026\/04\/Immagine-7-Ensemble-Dong.jpg 1418w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/563;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In alcune esperienze performative contemporanee, inoltre, il&nbsp;guzheng&nbsp;non \u00e8 solo suono ma anche gesto e presenza scenica. Ne nasce un\u2019esperienza estetica che coinvolge insieme dimensione visiva e sonora.&nbsp;In questo processo, tuttavia, emerge anche una tensione importante: quella tra apertura globale e mantenimento dell\u2019identit\u00e0 culturale. Il&nbsp;guzheng, proprio perch\u00e9 profondamente radicato nella tradizione cinese, continua a trovare la propria forza nel preservare&nbsp;le sue caratteristiche estetiche e simboliche, anche mentre si trasforma e dialoga con altri linguaggi musicali.&nbsp;<br>Le collaborazioni tra musicisti di formazione diversa generano nuovi spazi sonori, in cui il timbro del&nbsp;guzheng&nbsp;mantiene la propria identit\u00e0 ma si inserisce in contesti inediti. In questo senso, lo strumento si configura sempre pi\u00f9 come un ponte culturale, capace di rendere percepibile la continuit\u00e0 tra passato e presente.&nbsp;<br>Parallelamente, il&nbsp;guzheng&nbsp;ha assunto un ruolo sempre pi\u00f9 centrale anche nella formazione musicale. Il suo insegnamento, oggi diffuso in scuole e istituzioni, si \u00e8 progressivamente trasformato: da una trasmissione orale tradizionale si \u00e8 passati a metodi didattici pi\u00f9 strutturati, in grado di accompagnare l\u2019evoluzione delle tecniche esecutive. Queste, pur mantenendo una solida base tradizionale, si sono arricchite e diversificate nel tempo per rispondere alle esigenze estetiche contemporanee.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8 proprio in questa prospettiva che si inserisce l\u2019esperienza di musiciste come Ilenia Fu. Il suo lavoro, che affianca repertori tradizionali a progetti musicali contemporanei e interculturali, mostra come il&nbsp;guzheng&nbsp;possa abitare pienamente il presente senza perdere il legame con la propria storia.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Una tradizione che continua a trasformarsi<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Osservare il percorso del&nbsp;guzheng&nbsp;significa, in fondo, osservare un tratto caratteristico della cultura cinese: la capacit\u00e0 di trasformarsi mantenendo una continuit\u00e0 profonda con il passato.&nbsp;E proprio in&nbsp;questa capacit\u00e0 di adattamento risiede la sua vitalit\u00e0.&nbsp;Come osserva Ilenia Fu, il suono del&nbsp;guzheng&nbsp;\u00e8 capace di creare una risonanza emotiva che va oltre le differenze culturali e linguistiche.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Con questo primo articolo si apre un percorso che proseguir\u00e0 nei prossimi mesi, dedicato ad altri strumenti della tradizione musicale cinese. Ognuno di essi offrir\u00e0 uno sguardo diverso su una cultura che, anche attraverso la musica, continua a raccontarsi e a reinventarsi.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2026.e&nbsp;il&nbsp;guzheng, con la sua voce antica, resta uno dei suoi interpreti pi\u00f9 eloquenti.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Per&nbsp;approfondire:<\/strong>&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-group has-small-font-size\" style=\"min-height:0px\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1\">Kang,&nbsp;Yijie;&nbsp;Sh, Ariunaa,&nbsp;<em>An Initial&nbsp;Exploration of the Historical Development and Origin of the Guzheng<\/em>, 2024.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1\">Liu, Zihan,&nbsp;<em>Cross-cultural&nbsp;Communication&nbsp;and Integration of Guzheng Music under the Perspective of Modern Music Culture<\/em>.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1\">Zhang, Lei,&nbsp;<em>Analysis of Guzheng Music Style Transformation Based on Generative Adversarial Networks<\/em>, 2022.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1\">Cang, Jing,&nbsp;<em>Exploring the Creation and Performance of Guzheng Music in the Multicultural Context<\/em>, 2023.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1\">Wu, Nan,&nbsp;<em>The Development of Guzheng Playing Technique and Its Application in Teaching<\/em>, 2018.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1\">So, Jenny F.,&nbsp;<em>Music in the Age of Confucius<\/em>, Smithsonian Institution Press, 2000.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:0.5\"><a href=\"https:\/\/archive.org\/details\/musicinageofconf00soje\">https:\/\/archive.org\/details\/musicinageofconf00soje<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:0.5\">Scroll Paintings Project, University of Chicago:&nbsp;<a href=\"https:\/\/scrolls.uchicago.edu\/view-scroll\/185\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/scrolls.uchicago.edu\/view-scroll\/185<\/a>&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Intervista e materiali fotografici forniti da Ilenia Fu.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ilenia Fu Con l\u2019intervista alla musicista Ilenia Fu,&nbsp;pubblicata&nbsp;sul nostro profilo Instagram,&nbsp;inauguriamo una nuova rubrica dedicata agli strumenti della tradizione musicale cinese.&nbsp;Ogni strumento racconta una storia che attraversa secoli, dinastie e&#8230;<\/p>\n","protected":false},"author":1,"featured_media":642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=\/wp\/v2\/posts\/640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=640"}],"version-history":[{"count":33,"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=\/wp\/v2\/posts\/640\/revisions"}],"predecessor-version":[{"id":727,"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=\/wp\/v2\/posts\/640\/revisions\/727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=\/wp\/v2\/media\/642"}],"wp:attachment":[{"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sinomondi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}